Last night, ElMarko and I
went to UB to see Wynton Marsalis and the Lincoln Center Jazz Orhcestra. They
began with three pieces by other composers, but the bulk of the performance
consisted of a work by one of their own called “Portrait in Seven Shades.” Ted
Nash was inspired by works he’d seen at MoMA in Manhattan and set about to describe the
artists musically. His focus varied – for some, he captured their art, for
others, he used their life stories – but every one was wildly inventive.
This, naturally, got me
thinking about the very same artists. Specifically, I began to wonder what they
drank. So, here’s my very own Portrait in Seven Slugs:
Claude Monet surely stuck
with French wine, but even then, he leaned to more subtle styles. He enjoyed
Muscadet with fresh oysters and Vouvray with strong cheese. When leaning
towards red, he went for lighter wines like Beaujolais
or St-Nicolas-de-Bourgueil. He always steered clear of clobbering Bordeaux, or any other
flavor that conquered others.
Salvador Dali drank
gasoline. Or urine.
Henri Matisse was a bold
bugger. He wasn’t shy about enjoying the buzz as much as he enjoyed his drink. He
was all about Bordeaux.
A big believer in la vie boheme, he also was the first to pop Champagne
corks whenever possible.
Pablo Picasso was fiercely
nationalistic. He was also fiercely masculine. He stuck to deep, rich reds from
Rioja, at least until he made money. Then, he went with Priorats and never
looked back. None of that sissy French crap for him.
Van Gogh was a pretty notorious
Absinthe drinker, but I’ll guess that he also dug on Ricard and Pernod. When he
was really broke, he hit the cheap gin. That never seemed to work out too well.
Marc Chagall was a man of
contradictions; although he enjoyed Burgundies, he also had a soft spot for
vodka and slivovitz. He could put on the show of being decidedly French in his
palatial decisions, but in secret, he slurped borscht.
Jackson Pollack stuck to good
ol’ American bourbon: effective and quick. Fuck wine.
When I was considering my
move to Buffalo from New York, I was not at all convinced that I
would survive. After all, how would a dedicated food-slave like myself manage
in what is oft-seen as a cultural wasteland? Imagine my surprise when my first
stop while looking at apartments was Betty’s.
I arrived on a grim February
day, which is to say a typical February day in Buffalo. (NB: While I find that most of the
year up here is beautiful, February blows. Period.) There wasn’t nearly as much
snow as I’d expected, so clomping around on the frozen grass in my snow boots
felt a bit ridiculous. I had a half-assed map from the Lonely Planet and no
clue whatsoever about the city. I did, however, have an appointment to look at
an apartment on Hudson Street,
so since I was early, I wandered down to Betty’s for a coffee.
It was a Saturday, probably
around noon or so. Despite the lack of snow, it was very cold outside and I was
chilled from exploring Buffalo
on foot. Betty’s was very busy with the brunch crowd, and I have since found
out that it’s got one of the best brunches in town. Not being of the
brunch-going sect in NYC, I didn’t even think about that at the time – I just
wanted something hot to drink. Only a little table by the front was open, so I
grabbed that and ordered a scone and a coffee. The waitress brought a cherry
and white chocolate chip scone and, I shit thee not, it was one of the best
damn things I’ve ever tasted. (In fact, they have been consistently sold out
every time since that I’ve gone.) I was thrilled once I had a look at the menu
too: many vegetarian options, homey food with a creative twist. After visiting
Betty’s and, later, the Allen Street Hardware Café, I figured that I could indeed
survive in Buffalo.
Four years later, Betty’s is
still one of my favorite places to eat. Through wine, I got to know the owners,
Carroll and Doty, and I even held a wine tasting for the staff. (My god, they
can drink!) Betty’s was recently expanded to include a full bar and I think my visits have increased in direct correlation to the added square footage. The bar area is surprisingly swank for the funk of Allentown, but it blends
well with the warm restaurant. One of my favorite new features is a massive
wood door Carroll found at Buffalo ReUse, and I’m determined to smuggle that
bitch out at some point.
Last night, ElMarko and I went to KleinhansMusic Hall, another
favorite, to see a performance for the Buffalo Chamber Music Society. I bought
season tickets this year for the two of us because it’s one of the biggest
bargains to be found, and that’s saying a lot in a very cheap city. It gives us
an excuse to get gussied mid-week and take ourselves out, all classy-like. I donned a purpley dress with gold heels and a little gold jacket, which is not
quite as tacky as it sounds. And, despite all of the higher end restaurants we
could hit, we went to go to Betty’s. It’s around the corner from Kleinhans and I
know that we, as vegetarians, are always able to have options other than a portobello whatever. The food is always great and the service is always
friendly. The recently expanded wine list is well-constructed, and nothing is
too expensive. In an industry plagued with the lackluster, Betty’s has found the
perfect niche of warm, affordable, and most of all, delicious.
I love live music. I love turtles. I even love Candy Land.
At the Sage Café, you can find all of these things - as well as Blue Point
brews always on tap. A few nights a week, music flows between the walls of this cozy
bar/restaurant. Just behind the talents of the night, in a corner pond, live
some red-eared sliders. And in the piano bench resides a Candy Land game. So
when my Music Guru Pete told me to come down on a Saturday night to see a “phenomenal”
band, he didn’t have to twist my arm very hard.
Sage is located in Blue Point, Long Island along Montauk Highway. The
outside appearance is quaint, and the inside is quite cozy. A sign
above the performers says all you need to know: "Welcome toSage Café. A
Good Old Fashioned Place. Relax --- This is Not A Fast-Food
Place. It is NotHalf-Fast Either. It is Full Slow. So Sit
Back and Look Around… Enjoy Life and The People That are Here!!!"
Music Guru Pete, who has yet to steer me wrong in the realm
of local talent, has been telling me about Jesse Pagano and his various bands
for probably close to a year now. Jesse is a Patchogue native that has been
playing at local establishments for years, although he mainly plays in the city
now. (And on Long Island, there's only one 'city'.) There are many incarnations of his band Karmasutra, which plays home-grown
acoustic music with a reggae flavor. On this particular
night, we were listening to Jesse and the Sidewalk Vigilantes, who are his two brothers Craig and Noah. (The brothers are also part of
Karmasutra.) Jesse was the front man on vocals and lead guitar. His passionately
delivered lyrics accompanied his bluesy rock strummings. Craig backed up his
brother’s vocals and played rhythm guitar. Noah, also of Noah’s Ark, was on
bass arking out. The percussionist Chris Cauley, of Sayville, jammed out with
the djembe. Finally, Paul Micca who used to play at the Sage's Jazz nights, was
on the drums. So for five bucks towards the band, and 6.50 a Captain and
coke, I had an under 20 dollar Saturday night (I was driving and had to be
responsible if you are doing the math). Not bad.
The band was indeed pretty
phenomenal. Aside from the couple of strays from the guido bar across the
street, the crowd was lively and grooving to the beat. One of the ‘strays’ from
across the street was a shorter version of Mr. Clean, with the earring to
match. Mr. Clean would throw his arms out in front of himself and shake his
hips (not to the beat) every time a female looked his way. It did add an
element of comedy to the night, and hey, The Sage does ask
that you enjoy “… the people that are here."
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